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Author: Nina (Page 64 of 64)

Out of This World

I was lucky enough to be present at the opening of the British Library’s new SF exhibition, Out of This World, last Thursday night. The exhibition has been generating a lot of publicity – most notably The Guardian’s SF Special in the Review last Saturday – so naturally I was very curious to see what the BL had come up with.

A lot of time and trouble has clearly gone into the planning of this event, and the exhibits have been beautifully presented. I don’t think there’s a book lover alive who would not relish the chance to wander among cases containing first edition works by Philip K. Dick, Arthur C. Clarke, John Wyndham, Jules Verne, Borges, Ballard and Brunner to name just a few. The books have been grouped thematically rather than by date, which gives the visitor – especially the visitor who is perhaps less well informed about SF – a handle on how speculative fiction has evolved, how new themes arrive as old ones recur, how the SF picture fits together.

I tend to operate from the standpoint that any publicity for SF is good publicity, especially when you have one of this country’s major cultural institutions doing its bit to encourage interest. However, I do feel that this exhibition throws up almost as many questions as it provides answers. I couldn’t help noticing that – yet again – there was no spotlight here on SF as literature. The emphasis – as so often within the mainstream – was very much on ‘SF by category’ (catastrophe fiction, steampunk, cyberpunk, time travel etc) and not at all on what these writers had accomplished as writers, as opposed to prophets of doom or brave new worlds.

It’s a difficult balance to tread. If this exhibition encourages one new reader to get their hands on a volume of stories by Ballard – as I’m sure it will – then I’m all for it. The books are there to be discovered, and the impact this event will have is as much in the hands and minds of its visitors as its organisers, after all. But surely we’re past the stage of having to use jokes about light sabres to win ’em over?

Having said all of that, I’m closing this post with a photo of myself standing outside the Tardis. Well, how could I resist….?

House of Fear

House of Fear is a new anthology of stories based around the theme of the haunted house. It’s edited by Jonathan Oliver, published by Solaris, and will be available from October 1st – which makes it the ideal Hallowe’en gift.

For the full (and impressive) line-up go here:

http://www.solarisbooks.com/titles/title_details/house_of_fear?hjfi5q35e736aun17d82n65jt1

My own contribution to the anthology is a story called ‘The Muse of Copenhagen.’ I suppose you could say it’s my own twisted look at the Battle of Maldon…..

Bellony

This story had an interesting genesis. I was talking with my friend Chloe about the games we used to play as children, and she told me the story of how a friend’s father erected a door for them in the back garden. The door served no practical purpose, it was just there, a door in a doorframe, smack bang in the middle of the lawn. Chloe and her sisters and friends invested this door with magical properties. For them it was a door to anywhere, and they took turns in choosing what they would find on the other side when they went through it.

I found this story wonderful. I asked Chloe if I could use it, and she said yes. It was some months before I found a story of my own that would fit with Chloe’s memory, and as so often it turned out rather differently from what I’d envisaged. I only hope Chloe wasn’t too disappointed…..

When I was ready to write the story I took the train down to Deal so I could walk Terri’s route along the beach there. A story’s sense of place is very important to me, and I felt I couldn’t begin work until I had the geography of Bellony clear in my mind. It was a Saturday, and the weather was changing rapidly back and forth between bright sunshine and heavy showers. I took pictures from the pier looking back at the town, the beach, the old Art Deco cinema. I went south along the promenade and ended up walking all the way to Dover.

Once I’m walking I often find it hard to stop.

Bellony has recently been nominated for a British Fantasy Award in the novella category. You can now read it at the Featured Story page on this website.

Bellony features in the anthology Blind Swimmer, published by Eibonvale Press. Read more about the book at the Eibonvale site.

Paraxis

Interzone editor Andy Hedgecock and Lancashire writer and poet Claire Massey have started an online magazine of speculative fiction. It’s called Paraxis, and you can read it here.

This first issue is on the theme of Power. It features  stories by Conrad Williams and Nicholas Royle as well as my own story ‘The Upstairs Window’ and some arresting artwork by Beth Ward, Aurelia Milach and Claire Massey herself.  Andy and Claire have clearly put a lot of thought into this project and the results, I think, are fantastic. They’re already seeking submissions for future issues so there’s plenty to look forward to.

Claire’s own site is here, and is well worth a visit for her online collection of ‘strange maps’ alone. Claire has a strong interest in fairy tales and her writing blends myth and contemporary reality in a subtle and evocative way. Her story ‘Chorden-under-Water,’ which you can read at the site, rings with that peculiarly English mysticism you might find in a song by Sandy Denny. 

Hello out there!

Welcome to my website. I am currently in the process of setting up the site, so please bear with me while I work out what’s what. Over the following days and weeks you’ll see new posts appearing, together with stories for you to read and news I want to share.

In the meantime, let me tell you about the title I’ve chosen to headline my website. The Spider’s House is the title of Paul Bowles’s third novel, published in 1955 and set in Morocco. Bowles is a key inspiration for me – I hope to be talking about him in more depth in posts to come – and so the choice of title is a homage to him, really. The abundance of spider-related material in my own stories also made it seem wonderfully appropriate.

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